↧
ritadesigndays: 3D Printed Ceramics
↧
keleighelizabeth: S. C. Rolf
↧
↧
pppots: Joon Park NEO GU RI 55”x 25”x 25” white...
↧
nicecupbro: Adam Whatley
↧
ceramicsnow: David Gallagher: Liminal Processing of Euclidean...
David Gallagher: Liminal Processing of Euclidean Data to No Available End, 2011, featured on Ceramics Now Magazine
David Gallagher: Liminal Processing of Euclidean Data to No Available End, 2011, featured on Ceramics Now Magazine
David Gallagher: Liminal Processing of Euclidean Data to No Available End, 2011, featured on Ceramics Now Magazine
David Gallagher: Liminal Processing of Euclidean Data to No Available End, 2011, featured on Ceramics Now Magazine
David Gallagher: Liminal Processing of Euclidean Data to No Available End, 2011, Stoneware, Porcelain, Enamel, Monofilament, Florescent Light, Digital Processor, Motors, and Lasers
↧
↧
Photo
↧
ceramicsnow: Francesco Ardini: Porcelain Skin, 2012, Porcelain...
Francesco Ardini: Porcelain Skin, 2012, Porcelain mixed with paper, Organic reagent, Plastic structure with tie rods, 1300°C
↧
ceramicsnow: Ellen Schön: Lotus Pod, 2009, Smoke-fired Clay, 9”...
Ellen Schön: Lotus Pod, 2009 - Featured on Ceramics Now Magazine
Ellen Schön: Lotus Pod, detail
Ellen Schön: Lotus Pod, 2009, Smoke-fired Clay, 9” x 15” x 15”
↧
nceca: Tina Aufiero, “thrust” installation, 53 slip cast forms,...
↧
↧
Jason Bige Burnett.
Jason Bige Burnett.
↧
martinekenblog: Surreal Man Bursts into 1500 Ceramic Flowers
↧
theartofsculpture: John Oliver Lewis Mr. Hunk, Creases Pieces...
John Oliver Lewis
Mr. Hunk, Creases Pieces III. Acrylics on ceramics, 36 x 14 x 22 in., 2011 - expanded polystyrene, acrylic, monofilament 12 x 25 x 3 ft., 2012
↧
dave-parnell: Rebekah Bogard’s Androgynous Ceramic...
Rebekah Bogard’s Androgynous Ceramic Creatures
“As a female artist, I am interested in gender and how specific gender roles are assigned to both girls and women. I exploit normative female iconography such as flowers, butterflies, and curving-sensuous lines as well as “feminine” color combinations such as pinks and purples. I embrace female sexuality, vulnerability and romance not as the stereotypical taboo, but as an empowered re-contextualization. Through these creatures, I embrace and reclaim female stereotypes, powerful messages relevant to today’s world.” Quote by Rebekah Bogard
beautiful.
↧
↧
actegratuit: - Red Bubble - drunken roy Kim Joon
↧
Photo
↧
nicecupbro: Ted Neal
↧
nicecupbro: Audrey Rosuleck
↧
↧
panamandemonium: Woo! Fall semester is busy already. These...
Woo! Fall semester is busy already.
These pictures are kind of fun. In progress photos of a sculpture installation piece i’ve been working on. Its now set up in the Lamar Dodd School of Art as a part of the show called Space Camp for my sculpture class.
From greenware, to bisque, to glazed, to kiln loaded, to glazed!
I’ll update with pretty pictures soon. Our show opening is Friday at 7pm!
↧
bandipur: Jeremy Brooks American, b. 1979 A Fish Story, 2010....
Jeremy Brooks
American, b. 1979
A Fish Story, 2010. Altered iconographic figurine (set of praying hands), porcelain, paint.
↧
moremir: Greenscape tactiles by Jacob Raeder Made from humble...
Greenscape tactiles by Jacob Raeder
Made from humble red-brick clay, the vessels are individually thrown on the wheel, their harsh, geometrical shape informed by the architecture of grain silos that sprout in the American Plains and MidWest.
Once fired, the outline becomes hidden as the mucilaginous seeds are applied to the exterior and begin to take root and grow. A hint of the vessel does remain, the idea or ideal of functionality present in the work through the understanding of an interior volume glimpsed from the opening in the top. But these vessels do not hold water, and the seeds turn into plants, absorbing the water through the porous clay, and the once-red silos transition into green hillocks. The life cycle is short, the plants fragile, the allure of tactility undeniable.
↧